![]() Just when you think it might be totally depressing, though, there are some hints of life hidden in the corners of Under the Iron Sea, and these mysterious loops highlight Keane's new sonic experiments. Frontman Tom Chaplin faces the disappointment of growing older on the haunting "Atlantic," another stone-cold gem of synthesizer strings and Tim Rice-Oxley's gorgeous piano delivery. Songs such as the grayish ebb and flow of "A Bad Dream" and "Crystal Ball" connect with those reflections. Keane's members feels the frustration of a world torn apart by war, but they also express their own growing pains as a group. Whereas Hopes and Fears faced uncertainty head on with joyous enthusiasm, Under the Iron Sea is a darker, less romantic set of songs affected by a disenchanted outlook on life and the world's problems. ![]() Critics deemed them as likeable and as accessible as Coldplay, but Keane's return isn't as buoyant as their initial introduction, even if it keeps melody at the forefront. Hit singles like "Somewhere Only We Know," "Bedshaped," and "Everything's Changing" made Hopes and Fears a transatlantic hit, earning the trio two Brit Awards, a Grammy nomination, and a host of sold-out world tours. In the two years that followed the release of their debut album, Keane established themselves as a promising part of the mainstream rock canon.
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